Everything a home interior needs, handled by one team.

Drag to walk around the room, then switch wall shades, flooring, sofa fabric and the time of day. It is a quick way to work out what you are drawn to before the first meeting — your actual design is planned around your own floor plan and light.

Apartments are about getting every square foot to do a job. Look down into the plan, change the wall colour, the flooring and the finish on the kitchen and wardrobe shutters, and see how one palette carries from room to room.

Independent homes give you volume to play with. Turn this two-level space around — a living room open to the ceiling, dining tucked under the mezzanine, a bedroom upstairs — and try finishes on the whole house at once.

In a shop, the walls and fixtures are part of the brand. Swap the brand wall colour, the fixture finish and the floor, then switch to evening to see how track lighting pulls the eye to the centre podium.

Villa interiors start with how the house meets the garden. Rotate the villa, try a facade colour, a deck finish and window frames, then switch to evening when the glazing glows and the pool lights come on.

Luxury is mostly in the layering — mouldings, upholstery, stone and light working together. Try a wall shade, a headboard fabric and a floor, then switch to evening and watch the chandelier catch the light.

Construction is easier to plan when you can see the order things happen in. Let the site build itself, or jump to a stage: the RCC frame rises floor by floor, brickwork fills in, then plaster and glazing close it up. Pick the finish colour for the last stage.

Good offices balance focus and collaboration. Rotate the floor plate, put your brand colour on the feature wall, change the chairs and the flooring, and see how the meeting cabin and lounge sit next to the open desks.

A swatch card the size of a thumbnail rarely tells you how a colour behaves on a whole wall. Choose a main colour and a feature-wall colour, compare matt, satin and gloss, and change the light to see warm tones deepen and cool ones go grey.

Exterior colours look different in harsh noon sun and at dusk. Pick a facade shade and the painters’ cradle works its way down the house; then change the trim colour and the time of day before you settle on a combination.

Large glossy vitrified tiles, wood-look planks, a classic checkerboard, patterned Moroccan or matte slate — each one changes how big and how warm a room feels. Choose a pattern and a grout colour and the floor flips over tile by tile.

Carpentry is judged by how it works, not just how it looks. Watch the shutters swing, the overhead flaps lift and the wardrobe door glide, then try veneer, matte and gloss finishes against your wall colour.

Drawers glide out on soft-close runners, overhead shutters lift, the tall larder slides forward and the crockery unit’s glass doors swing open to lit shelves of plates, cups and glasses. Try a shutter finish, a countertop and your wall colour.

Hanging space, shelves for folded clothes, internal drawers, a full-length mirror door and loft storage above. Doors swing open in a wave, the LED strips inside light up and the drawers slide out. Try a shutter finish against your wall colour.

Switch between an upholstered wingback, a low floating platform with LED underglow, a hydraulic storage bed that lifts to show the space underneath, and a slim four-poster. Then change the headboard fabric and the wood finish.

You are standing in the room, looking up. Switch between a recessed tray, a floating island with glowing edges, wooden rafters and a round cut-out with a chandelier — each one is lifted into place. Then change the LED colour, or let it cycle through RGB.